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Quennets

ebook
In Quennets Philip Terry develops a sonnet-like form invented by the Oulipian poet Raymond Queneau. Across three sequences, the 'quennet' is reworked and refigured in response to three perimeter landscapes. The first sequence, 'Elementary Estuaries', is inspired by a series of walks along the Essex estuary, the poems' appearance on the page suggesting the landscape's expansive estuarine vistas, its pink sail lofts and windswept gorse, beach huts and distant steeples. In the second sequence, written after a series of walks around the Berlin Wall Trail, or Mauerweg, the form changes to reflect the physical, almost bodily tension of the wall as an architectural and social obstruction. The final sequence, 'Waterlog', retraces the steps of W. G. Sebald through Suffolk, and here the quennet's newly elongated shape and ragged margin evoke the region's eroding coastline, its deserted piers and power stations, electric fences and waterlogged fields. Terry's project is bold in scope, his poems subtle in effect, a mix of sign and song, concrete and lyric, Oulipo and psychogeography. It is a work about boundaries, political, social, and natural, and about the walk as a critical apparatus through which these fields are shown to connect.

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Publisher: Carcanet

OverDrive Read

  • ISBN: 9781784102692
  • File size: 493 KB
  • Release date: June 15, 2016

EPUB ebook

  • ISBN: 9781784102692
  • File size: 494 KB
  • Release date: June 15, 2016

Formats

OverDrive Read
EPUB ebook

subjects

Fiction Poetry

Languages

English

In Quennets Philip Terry develops a sonnet-like form invented by the Oulipian poet Raymond Queneau. Across three sequences, the 'quennet' is reworked and refigured in response to three perimeter landscapes. The first sequence, 'Elementary Estuaries', is inspired by a series of walks along the Essex estuary, the poems' appearance on the page suggesting the landscape's expansive estuarine vistas, its pink sail lofts and windswept gorse, beach huts and distant steeples. In the second sequence, written after a series of walks around the Berlin Wall Trail, or Mauerweg, the form changes to reflect the physical, almost bodily tension of the wall as an architectural and social obstruction. The final sequence, 'Waterlog', retraces the steps of W. G. Sebald through Suffolk, and here the quennet's newly elongated shape and ragged margin evoke the region's eroding coastline, its deserted piers and power stations, electric fences and waterlogged fields. Terry's project is bold in scope, his poems subtle in effect, a mix of sign and song, concrete and lyric, Oulipo and psychogeography. It is a work about boundaries, political, social, and natural, and about the walk as a critical apparatus through which these fields are shown to connect.

Expand title description text